Weekend Stories sorted by tags
I enjoy going exploring on weekends (mostly). Here is a collection of stories and photos I gather along the way.
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- Ancient Times 11
- Buddhism 26
- Chinese Art 11
- Christian Culture 17
- Church History 3
- Cologne 33
- Gandharan Art 4
- Greco-Roman Culture 9
- Indian Art 3
- Industrial History 3
- Japanese Art 12
- Judaism 3
- Korean Art 9
- LGBTQ 1
- Myanmar Art 2
- Pottery and Ceramics 7
- Tea 3
- Thai Art 3
#Ancient Times
On the Hellenistic heritage in Christian culture and Buddhist art
My recent museum visits and studies have revealed that the perceived differences between various cultures and historical periods are not as pronounced as I once believed. Contrary to the simplified narratives taught in school, the Greco-Roman heritage did not vanish after the fall of the Roman Empire but transformed and adapted into new cultural contexts. This influence extended beyond the Christian culture of the Middle Ages to include the Buddhist art of the Gandhara style. In this post, I will summarize my findings and share my thoughts on this topic.
Lares and the evolution of household deities in Europe
During my visit to the Roman-Germanic Museum in Cologne, I stumbled upon intriguing small deity figures, which piqued my curiosity. Upon further research, I discovered they were representations of Roman Lares, ancient household deities. This discovery led me to draw some parallels with later religious practices, including those found in Eastern traditions.
Cologne's history through a magnifying glass: The city museum
After a long time of closure, the Cologne City Museum reopened its doors in March 2024. The museum, which is now temporarily housed in the former Franz Sauer fashion house, has a large collection of around 350,000 objects spanning from the Middle Ages to the present day. The exhibits cover a wide range of topics, including paintings, graphics, militaria, coins, textiles, furniture, and everyday objects. The museum’s current concept focuses on showcasing a small selection of objects that are presented in an emotional context, offering a unique perspective on societal and historical issues. In my opinion, in this way the museum actually serves as a lens through which visitors can explore the history of 2000-year-old Cologne.
From Roman temple to Christian sanctuary: The historical evolution of St. Maria im Kapitol in Cologne
Standing proudly amidst the historic cityscape of Cologne, St. Maria im Kapitol is more than just a place of worship. It’s a witness to the layers of history that have shaped the city over centuries. At its core lies a rich narrative that traces back to ancient Roman times, where a temple once dedicated to the Capitoline Triad stood. The history of this temple exemplifies how ancient buildings were not simply erased but repurposed and altered over time. It illustrates that the ancient world did not vanish overnight. Instead, it was transformed and integrated into the medieval and modern eras, challenging the image of sharp epochal changes and highlighting a continuous development of cultural and architectural heritage.
Cologne's pottery heritage
Besides its glass production, Cologne also had a relevant ceramic production. During the reign of Augustus, from 27 BC to 14 AD, Cologne began to emerge as a notable center for pottery production. This period marked the initial steps of the city in establishing its reputation in the craft of ceramics
Roman legacy of glass art in Cologne
Cologne not only has a rich Roman heritage, but also a (perhaps) lesser-known history of glassmaking. Archaeological finds in the city have revealed a rich heritage of glass art, encompassing everything from drinking vessels to jewelry and decorative objects. And the Roman-Germanic Museum houses a significant collection of these artifacts. Here are some of my favorite pieces that I have photographed during my visit.
Roman legacy in Cologne
I recently visited the Roman-Germanic Museum in Cologne, that exhibits archeological finds from the Roman and Germanic era in Cologne and the surrounding area. While strolling through the exhibition, I was fascinated by the acute presence of the artifacts on display and the stories behind them. Of course, I’m aware of Cologne’s Roman heritage, but every visit to the museum makes me even more aware of the Roman influence on Cologne’s culture and identity.
1700 years of Jewish history in Cologne
A perhaps not well perceived part of Cologne’s history is its rich Jewish heritage that dates back to the Roman era. The Cologne Jewish community is considered as one of the oldest North of the Alps and has a long and complex history, marked by periods of prosperity and persecution. The community has contributed significantly to the city’s cultural and economic development. Here is a short overview of that history.
Roman origins of the Cologne Carnival
As the clock strikes 11:11 AM tomorrow, the so-called ‘Fifth Season’ begins in Cologne. The city is overrun with revelers, and the streets are bustling with people. The citizens of Cologne celebrate with unrestrained joy and, notably, a fair amount of alcohol. But where does Carnival actually come from? What are its origins, and how has it evolved over time? This post takes you on a brief journey through the history of the Cologne Carnival to shed light on the cultural background of the festival, which tends to be forgotten in today’s thoroughly commercialized carnival.
Gandhara-style Buddhist sculptures
This post ties directly into my previous on The first plastic depictions of Buddha’s life: Gandhara reliefs at the Humboldt Forum, Berlin. In this post, I showcase further, quite impressive Gandhara-style Buddhist sculptures also seen at the Humboldt Museum in Berlin.
The first plastic depictions of Buddha's life: Gandhara reliefs at the Humboldt Forum, Berlin
On my visit to the Museum of Asian Art at the Humboldt Forum in Berlin, I was captivated by 15 stone reliefs depicting the Buddha’s life. Crafted in Gandhara between the 1st and 3rd century, these reliefs are among the earliest narrative representations of the Buddha. Gandhara was more than just a region; it was a melting pot of civilizations, playing an indispensable part in shaping the visual language of Buddhism.
#Buddhism
Emakimono: The art of Japanese handscrolls
Emakimono, or Japanese handscrolls, are a captivating form of narrative art that emerged during the Heian period (794-1185 AD). These exquisite scrolls combine text and pictures to tell stories, document courtly life, or illustrate poetic themes. The format allows for sequential viewing, where the story unfolds as the scroll is gradually unrolled from right to left, offering a unique and intimate artistic experience. In this post, we explore the history, techniques, and cultural significance of emakimono in Japanese art and literature.
Kakemono: The art of Japanese hanging scrolls
Kakemono, or Japanese hanging scrolls, are a prominent feature in the traditional Japanese art landscape. These scrolls are designed to be displayed vertically and are often used to adorn the alcoves of Japanese homes, particularly in settings like the tea ceremony. The art of kakemono centers around the aesthetics of simplicity and seasonal change, making it a dynamic element of Japanese decor. In this post, we briefly explore the history and significance of kakemono in Japanese art and culture.
Exploring Buddhist and East Asian art in Cologne
Cologne, a city rich in Christian history and culture, also offers a unique opportunity for enthusiasts of Buddhist and East Asian art. The city is home to two remarkable institutions: the Museum of East Asian Art and the Rautenstrauch-Joest Museum. Here some of my favorite pieces from both museums.
On the Hellenistic heritage in Christian culture and Buddhist art
My recent museum visits and studies have revealed that the perceived differences between various cultures and historical periods are not as pronounced as I once believed. Contrary to the simplified narratives taught in school, the Greco-Roman heritage did not vanish after the fall of the Roman Empire but transformed and adapted into new cultural contexts. This influence extended beyond the Christian culture of the Middle Ages to include the Buddhist art of the Gandhara style. In this post, I will summarize my findings and share my thoughts on this topic.
Lares and the evolution of household deities in Europe
During my visit to the Roman-Germanic Museum in Cologne, I stumbled upon intriguing small deity figures, which piqued my curiosity. Upon further research, I discovered they were representations of Roman Lares, ancient household deities. This discovery led me to draw some parallels with later religious practices, including those found in Eastern traditions.
Chinese scholar's rocks
The Museum of East Asian Art in Cologne is currently hosting an enlightening exhibition on Chinese scholar’s rocks, also known as gōngshí. The exhibition features a wide range of rocks from renowned regions such as Yingde in Guangdong, Liuyang in Hunan, and Lake Tai in Jiangsu. The rocks are displayed alongside other objects such as writing brushes, ink stones, and porcelain vessels. It provides a fascinating insight into the history and culture of Chinese scholar’s rocks and their significance in Chinese art and literature.
From Qingdao to Cologne: 50 Masterpieces of East Asian art
The Oriental Endowment for the Promotion of East Asian Art in Cologne celebrates its 50th anniversary with a remarkable exhibition of 50 masterpieces of East Asian art. The exhibition is running at the Museum of East Asian Art and has now been extended until the end of September 2024. It’s a great opportunity to see some of the most beautiful pieces of East Asian art, covering a wide range of art forms, including ceramics, bronzes, paintings, and sculptures from China, Japan, and Korea. The pieces are drawn from the museum’s collection, which was founded by Hans-Wilhelm Siegel, a businessman, patron and collector of East Asian art.
From Gothic to Zen: Comparing medieval Western and Eastern wooden sculptures
The art of wood sculpture, prevalent in both medieval Europe and East Asia, offers a fascinating study in contrasts and similarities. While both regions developed rich traditions in wood carving, their cultural, religious, and artistic trajectories shaped distinct styles and themes. Here is a brief comparison of selected medieval European and East Asian wooden sculptures.
Beyond the sacred: Exploring medieval art at the Schnütgen Museum
For me, a visit to the Schnütgen Museum is always both refreshing and enlightening. Situated in the heart of Cologne, the museum offers a unique blend of local and European religious art and cultural heritage, presented in a secular, yet respectful light. It enables visitors to appreciate the artworks as individual pieces of art, detached from their original religious context.
A Zen-Buddhist interpretation of the 'Kölsches Grundgesetz'
Zen op Kölsch – I recently discovered a small booklet by Michael Wittschier, who interpreted the so-called ‘Kölsches Grundgesetz’ in a Taoist way. Taoism is a philosophical tradition of Chinese origin which emphasizes living in harmony with the Dào, a term that can be translated as ‘the way’, ‘the path’, or ‘the way of nature’. Wittschier’s interpretation is a very interesting read and I couldn’t resist to buy the booklet. However, I also thought that it would by an interesting experiment to interpret the ‘Kölsches Grundgesetz’ in a Zen-Buddhist way. So, here we go.
Helena Parada Kim's 'Interstices' - A fusion of cultures and traditions
Helena Parada Kim’s ‘Interstices’ at the Museum of East Asian Art in Cologne masterfully blends Korean traditions with European artistry, creating a dialogue between past and present. Her unique approach to cultural fusion is exemplified in works that juxtapose traditional Korean motifs with contemporary European painting techniques, offering a fresh perspective on cultural identity and arts in general.
Netsuke – The elegance of Japanese craftsmanship
The Museum of East Asian Art in Cologne is currently hosting the exhibition ‘Kyōto’s Netsuke - Masters & Myths’ to celebrate the 60-year partnership between Cologne and Kyōto. The exhibition showcases an extraordinary selection of netsuke from the Kyōto school, each piece embodying the exceptional Japanese craftsmanship and celebrating the long-standing friendship between the two cities.
The Three Worlds
The royal illuminated manuscript ‘Traiphum’ from Bangkok, 1776, depicts the tripartite Buddhist cosmos and is a testament to King Takin’s reign after the fall of Ayutthaya. Luckily, I had the chance to see it at the Humboldt Forum in Berlin.
The Tale of Prince Vishvantara
During my recent visit to the Humboldt Forum, I came across a captivating image from a series that dates back to 1837, illustrating the life of Prince Vishvantara. This prince’s life, emblematic of unparalleled generosity, is a celebrated narrative in Buddhism, annually honored in various Southeast Asian festivals.
Exploring the Alte Nationalgalerie
Berlin’s Alte Nationalgalerie houses a vast collection of 19th century paintings and sculptures. The building itself is a work of art, and the collection is a great opportunity to discover the history of art in Germany. Here are some snapshots of my recent visit.
Exploring the Renaissance at the Bode Museum
While the Bode Museum’s medieval collection invites introspection into the raw spiritual expressions of the Gothic era, its Renaissance collection beckons with a different allure. Here are some impressions I collected during my latest visit.
The Bode Museum: A new lens on medieval art
At the heart of Berlin’s Museum Island, the Bode Museum offers a unique opportunity to engage with Christian art. The museum’s collection of medieval art, in particular, provides an intriguing opportunity to explore these artifacts outside of their traditional religious context.
The three perfections: Chinese artistic tradition
In the rich Chinese cultural history, three art forms stand out as pillars of classical education and self-expression: poetry, calligraphy, and painting. Collectively, they are known as ‘The Three Perfections’, representing the culmination of Chinese artistic tradition.
Korean ceramics: Spirituality through simplicity and purity
Korean ceramics embody a serene beauty born from simplicity, clarity, and an embrace of natural imperfections. The Humboldt Museum showcases this centuries-old tradition, offering a reflective journey into Korea’s unique interpretation of art, nature, and spirituality.
The many faces of the Buddha
The Humboldt Forum in Berlin holds an extensive collection of Buddha and Bodhisattva sculptures from all over Southeast Asia: China, Japan, Thailand, Cambodia, Tibet, Nepal. In this post, I’d like to show the many faces of Buddhist sculptures that I have discovered in the Forum.
The Kizil Caves
The Kizil Caves are a set of Buddhist rock-cut caves situated near Kizil, Xinjiang, China. Historically significant and renowned for their intricate murals, these caves offer a fascinating glimpse into the rich murals and sculptures of Buddhism in China and Central Asia. Artifacts recovered from the caves are displayed alongside fragments of the murals at the Humboldt Forum in Berlin.
Buddhist clay tablets from Myanmar
Another quite interesting finding I made at the Humboldt Forum were some Buddhist clay tablets from Myanmar. I was impressed by the similarities with Christian panels depicting scenes from the life of Jesus, biblical events, or saints – another example of the universality of artistic expressions across diverse cultural traditions.
Gandhara-style Buddhist sculptures
This post ties directly into my previous on The first plastic depictions of Buddha’s life: Gandhara reliefs at the Humboldt Forum, Berlin. In this post, I showcase further, quite impressive Gandhara-style Buddhist sculptures also seen at the Humboldt Museum in Berlin.
The first plastic depictions of Buddha's life: Gandhara reliefs at the Humboldt Forum, Berlin
On my visit to the Museum of Asian Art at the Humboldt Forum in Berlin, I was captivated by 15 stone reliefs depicting the Buddha’s life. Crafted in Gandhara between the 1st and 3rd century, these reliefs are among the earliest narrative representations of the Buddha. Gandhara was more than just a region; it was a melting pot of civilizations, playing an indispensable part in shaping the visual language of Buddhism.
East and West: Finding common grounds in distinct artistic traditions
I recently visited the Museum of East Asian Art and the Museum Schnütgen for European Medieval Art, both in Cologne. Having explored these museums in quick succession, I was struck by both the contrasts and surprising parallels in the artistic expressions of East and West.
Embracing imperfections: Kintsugi and the story of my teapot
Kintsugi, the traditional Japanese art of ‘golden joinery’, celebrates the beauty of brokenness. My experience with a cherished teapot taught me not just about repair, but about embracing imperfections and celebrating the breakage and repair as an integral part of an object’s history.
#Chinese Art
Emakimono: The art of Japanese handscrolls
Emakimono, or Japanese handscrolls, are a captivating form of narrative art that emerged during the Heian period (794-1185 AD). These exquisite scrolls combine text and pictures to tell stories, document courtly life, or illustrate poetic themes. The format allows for sequential viewing, where the story unfolds as the scroll is gradually unrolled from right to left, offering a unique and intimate artistic experience. In this post, we explore the history, techniques, and cultural significance of emakimono in Japanese art and literature.
Kakemono: The art of Japanese hanging scrolls
Kakemono, or Japanese hanging scrolls, are a prominent feature in the traditional Japanese art landscape. These scrolls are designed to be displayed vertically and are often used to adorn the alcoves of Japanese homes, particularly in settings like the tea ceremony. The art of kakemono centers around the aesthetics of simplicity and seasonal change, making it a dynamic element of Japanese decor. In this post, we briefly explore the history and significance of kakemono in Japanese art and culture.
Exploring Buddhist and East Asian art in Cologne
Cologne, a city rich in Christian history and culture, also offers a unique opportunity for enthusiasts of Buddhist and East Asian art. The city is home to two remarkable institutions: the Museum of East Asian Art and the Rautenstrauch-Joest Museum. Here some of my favorite pieces from both museums.
On the Hellenistic heritage in Christian culture and Buddhist art
My recent museum visits and studies have revealed that the perceived differences between various cultures and historical periods are not as pronounced as I once believed. Contrary to the simplified narratives taught in school, the Greco-Roman heritage did not vanish after the fall of the Roman Empire but transformed and adapted into new cultural contexts. This influence extended beyond the Christian culture of the Middle Ages to include the Buddhist art of the Gandhara style. In this post, I will summarize my findings and share my thoughts on this topic.
Chinese scholar's rocks
The Museum of East Asian Art in Cologne is currently hosting an enlightening exhibition on Chinese scholar’s rocks, also known as gōngshí. The exhibition features a wide range of rocks from renowned regions such as Yingde in Guangdong, Liuyang in Hunan, and Lake Tai in Jiangsu. The rocks are displayed alongside other objects such as writing brushes, ink stones, and porcelain vessels. It provides a fascinating insight into the history and culture of Chinese scholar’s rocks and their significance in Chinese art and literature.
From Qingdao to Cologne: 50 Masterpieces of East Asian art
The Oriental Endowment for the Promotion of East Asian Art in Cologne celebrates its 50th anniversary with a remarkable exhibition of 50 masterpieces of East Asian art. The exhibition is running at the Museum of East Asian Art and has now been extended until the end of September 2024. It’s a great opportunity to see some of the most beautiful pieces of East Asian art, covering a wide range of art forms, including ceramics, bronzes, paintings, and sculptures from China, Japan, and Korea. The pieces are drawn from the museum’s collection, which was founded by Hans-Wilhelm Siegel, a businessman, patron and collector of East Asian art.
From Gothic to Zen: Comparing medieval Western and Eastern wooden sculptures
The art of wood sculpture, prevalent in both medieval Europe and East Asia, offers a fascinating study in contrasts and similarities. While both regions developed rich traditions in wood carving, their cultural, religious, and artistic trajectories shaped distinct styles and themes. Here is a brief comparison of selected medieval European and East Asian wooden sculptures.
The three perfections: Chinese artistic tradition
In the rich Chinese cultural history, three art forms stand out as pillars of classical education and self-expression: poetry, calligraphy, and painting. Collectively, they are known as ‘The Three Perfections’, representing the culmination of Chinese artistic tradition.
The many faces of the Buddha
The Humboldt Forum in Berlin holds an extensive collection of Buddha and Bodhisattva sculptures from all over Southeast Asia: China, Japan, Thailand, Cambodia, Tibet, Nepal. In this post, I’d like to show the many faces of Buddhist sculptures that I have discovered in the Forum.
The Kizil Caves
The Kizil Caves are a set of Buddhist rock-cut caves situated near Kizil, Xinjiang, China. Historically significant and renowned for their intricate murals, these caves offer a fascinating glimpse into the rich murals and sculptures of Buddhism in China and Central Asia. Artifacts recovered from the caves are displayed alongside fragments of the murals at the Humboldt Forum in Berlin.
East and West: Finding common grounds in distinct artistic traditions
I recently visited the Museum of East Asian Art and the Museum Schnütgen for European Medieval Art, both in Cologne. Having explored these museums in quick succession, I was struck by both the contrasts and surprising parallels in the artistic expressions of East and West.
#Christian Culture
On the Hellenistic heritage in Christian culture and Buddhist art
My recent museum visits and studies have revealed that the perceived differences between various cultures and historical periods are not as pronounced as I once believed. Contrary to the simplified narratives taught in school, the Greco-Roman heritage did not vanish after the fall of the Roman Empire but transformed and adapted into new cultural contexts. This influence extended beyond the Christian culture of the Middle Ages to include the Buddhist art of the Gandhara style. In this post, I will summarize my findings and share my thoughts on this topic.
Lares and the evolution of household deities in Europe
During my visit to the Roman-Germanic Museum in Cologne, I stumbled upon intriguing small deity figures, which piqued my curiosity. Upon further research, I discovered they were representations of Roman Lares, ancient household deities. This discovery led me to draw some parallels with later religious practices, including those found in Eastern traditions.
Cologne's history through a magnifying glass: The city museum
After a long time of closure, the Cologne City Museum reopened its doors in March 2024. The museum, which is now temporarily housed in the former Franz Sauer fashion house, has a large collection of around 350,000 objects spanning from the Middle Ages to the present day. The exhibits cover a wide range of topics, including paintings, graphics, militaria, coins, textiles, furniture, and everyday objects. The museum’s current concept focuses on showcasing a small selection of objects that are presented in an emotional context, offering a unique perspective on societal and historical issues. In my opinion, in this way the museum actually serves as a lens through which visitors can explore the history of 2000-year-old Cologne.
From Roman temple to Christian sanctuary: The historical evolution of St. Maria im Kapitol in Cologne
Standing proudly amidst the historic cityscape of Cologne, St. Maria im Kapitol is more than just a place of worship. It’s a witness to the layers of history that have shaped the city over centuries. At its core lies a rich narrative that traces back to ancient Roman times, where a temple once dedicated to the Capitoline Triad stood. The history of this temple exemplifies how ancient buildings were not simply erased but repurposed and altered over time. It illustrates that the ancient world did not vanish overnight. Instead, it was transformed and integrated into the medieval and modern eras, challenging the image of sharp epochal changes and highlighting a continuous development of cultural and architectural heritage.
From Gothic to Zen: Comparing medieval Western and Eastern wooden sculptures
The art of wood sculpture, prevalent in both medieval Europe and East Asia, offers a fascinating study in contrasts and similarities. While both regions developed rich traditions in wood carving, their cultural, religious, and artistic trajectories shaped distinct styles and themes. Here is a brief comparison of selected medieval European and East Asian wooden sculptures.
Silent narrators: Medieval wood sculptures
During my recent visits to churches and medieval museums, I was impressed by the remarkable craftsmanship and artistic expression of wooden sculptures. These sculptures, primarily driven by religious themes, offer a unique window into the medieval mind, its craftsmanship, and its spiritual quests. Here are some shots of my favorite wood sculptures that I captured during my last visits to the Museum Schnütgen and other places in Cologne.
The Bright Age: The vibrant colors of medieval Christian art
The term ‘Dark Ages’, often used to describe the medieval period, conjures images of a grim, colorless world, shrouded in piety and the ultimate fear of God. However, this portrayal is a far cry from the reality of medieval life, especially when it comes to art. During a recent visit to the Wallraf-Richartz Museum in Cologne, I was struck by the vibrant colors, the richness of detail and imagination, and the criticism of secular and clerical authority often inherent in medieval Christian imagery. Here are some of my favorite artworks, hopefully shedding some light on a common misconception.
Faith and commerce: The medieval relic trade in Cologne
During my last visit to the Schnütgen Museum, I noticed a series of elaborate reliquary busts. These intricately crafted artifacts were shaped like the upper bodies of figures meant to represent saints, kings, and queens. Each bust had an opening to enclose and hold the corresponding relic. Their skillful artistry was immediately striking. Intrigued by this encounter, I began to do some research, uncovering a fascinating yet ironic chapter in the history of Cologne.
Beyond the sacred: Exploring medieval art at the Schnütgen Museum
For me, a visit to the Schnütgen Museum is always both refreshing and enlightening. Situated in the heart of Cologne, the museum offers a unique blend of local and European religious art and cultural heritage, presented in a secular, yet respectful light. It enables visitors to appreciate the artworks as individual pieces of art, detached from their original religious context.
1700 years of Jewish history in Cologne
A perhaps not well perceived part of Cologne’s history is its rich Jewish heritage that dates back to the Roman era. The Cologne Jewish community is considered as one of the oldest North of the Alps and has a long and complex history, marked by periods of prosperity and persecution. The community has contributed significantly to the city’s cultural and economic development. Here is a short overview of that history.
Origins of Cologne's coat of arms
Did you ever wonder about the coat of arms of Cologne and why it is the way it is? I just did some research and found out that its history is quite interesting and also includes some funny twists.
Roman origins of the Cologne Carnival
As the clock strikes 11:11 AM tomorrow, the so-called ‘Fifth Season’ begins in Cologne. The city is overrun with revelers, and the streets are bustling with people. The citizens of Cologne celebrate with unrestrained joy and, notably, a fair amount of alcohol. But where does Carnival actually come from? What are its origins, and how has it evolved over time? This post takes you on a brief journey through the history of the Cologne Carnival to shed light on the cultural background of the festival, which tends to be forgotten in today’s thoroughly commercialized carnival.
Christian ivory carvings and their comparison with Japanese netsuke: A cross-cultural analysis
Recently, I had the opportunity to visit a netsuke exhibition. The exhibition was amazing! While strolling through the exhibition, I also noticed a similarity with European Christian ivory carvings. Japanese netsuke and Christian ivory carvings both have their roots in the meticulous art of ivory carving. However, they differ considerably in purpose, symbolism and stylistic expression. Unfortunately, there was no exhibition about the latter that I could have visited at the same time or before. So I searched through my photo archives and put together some examples of European ivory carvings here.
The Ruhr Museum: A Journey through the cultural heritage of the Ruhrgebiet
During a recent visit to the Ruhr Museum in Essen, I discovered not just an outstanding modern museum, but also a gateway to the rich history of the Ruhr area, also known as the ‘Ruhrpott’. This museum visit opened my eyes to the depth and complexity of the Ruhr region’s past and present.
Exploring the Renaissance at the Bode Museum
While the Bode Museum’s medieval collection invites introspection into the raw spiritual expressions of the Gothic era, its Renaissance collection beckons with a different allure. Here are some impressions I collected during my latest visit.
The Bode Museum: A new lens on medieval art
At the heart of Berlin’s Museum Island, the Bode Museum offers a unique opportunity to engage with Christian art. The museum’s collection of medieval art, in particular, provides an intriguing opportunity to explore these artifacts outside of their traditional religious context.
East and West: Finding common grounds in distinct artistic traditions
I recently visited the Museum of East Asian Art and the Museum Schnütgen for European Medieval Art, both in Cologne. Having explored these museums in quick succession, I was struck by both the contrasts and surprising parallels in the artistic expressions of East and West.
#Church History
Cologne's history through a magnifying glass: The city museum
After a long time of closure, the Cologne City Museum reopened its doors in March 2024. The museum, which is now temporarily housed in the former Franz Sauer fashion house, has a large collection of around 350,000 objects spanning from the Middle Ages to the present day. The exhibits cover a wide range of topics, including paintings, graphics, militaria, coins, textiles, furniture, and everyday objects. The museum’s current concept focuses on showcasing a small selection of objects that are presented in an emotional context, offering a unique perspective on societal and historical issues. In my opinion, in this way the museum actually serves as a lens through which visitors can explore the history of 2000-year-old Cologne.
From Roman temple to Christian sanctuary: The historical evolution of St. Maria im Kapitol in Cologne
Standing proudly amidst the historic cityscape of Cologne, St. Maria im Kapitol is more than just a place of worship. It’s a witness to the layers of history that have shaped the city over centuries. At its core lies a rich narrative that traces back to ancient Roman times, where a temple once dedicated to the Capitoline Triad stood. The history of this temple exemplifies how ancient buildings were not simply erased but repurposed and altered over time. It illustrates that the ancient world did not vanish overnight. Instead, it was transformed and integrated into the medieval and modern eras, challenging the image of sharp epochal changes and highlighting a continuous development of cultural and architectural heritage.
Faith and commerce: The medieval relic trade in Cologne
During my last visit to the Schnütgen Museum, I noticed a series of elaborate reliquary busts. These intricately crafted artifacts were shaped like the upper bodies of figures meant to represent saints, kings, and queens. Each bust had an opening to enclose and hold the corresponding relic. Their skillful artistry was immediately striking. Intrigued by this encounter, I began to do some research, uncovering a fascinating yet ironic chapter in the history of Cologne.
#Cologne
Emakimono: The art of Japanese handscrolls
Emakimono, or Japanese handscrolls, are a captivating form of narrative art that emerged during the Heian period (794-1185 AD). These exquisite scrolls combine text and pictures to tell stories, document courtly life, or illustrate poetic themes. The format allows for sequential viewing, where the story unfolds as the scroll is gradually unrolled from right to left, offering a unique and intimate artistic experience. In this post, we explore the history, techniques, and cultural significance of emakimono in Japanese art and literature.
Kakemono: The art of Japanese hanging scrolls
Kakemono, or Japanese hanging scrolls, are a prominent feature in the traditional Japanese art landscape. These scrolls are designed to be displayed vertically and are often used to adorn the alcoves of Japanese homes, particularly in settings like the tea ceremony. The art of kakemono centers around the aesthetics of simplicity and seasonal change, making it a dynamic element of Japanese decor. In this post, we briefly explore the history and significance of kakemono in Japanese art and culture.
Exploring Buddhist and East Asian art in Cologne
Cologne, a city rich in Christian history and culture, also offers a unique opportunity for enthusiasts of Buddhist and East Asian art. The city is home to two remarkable institutions: the Museum of East Asian Art and the Rautenstrauch-Joest Museum. Here some of my favorite pieces from both museums.
Cologne's history through a magnifying glass: The city museum
After a long time of closure, the Cologne City Museum reopened its doors in March 2024. The museum, which is now temporarily housed in the former Franz Sauer fashion house, has a large collection of around 350,000 objects spanning from the Middle Ages to the present day. The exhibits cover a wide range of topics, including paintings, graphics, militaria, coins, textiles, furniture, and everyday objects. The museum’s current concept focuses on showcasing a small selection of objects that are presented in an emotional context, offering a unique perspective on societal and historical issues. In my opinion, in this way the museum actually serves as a lens through which visitors can explore the history of 2000-year-old Cologne.
From Roman temple to Christian sanctuary: The historical evolution of St. Maria im Kapitol in Cologne
Standing proudly amidst the historic cityscape of Cologne, St. Maria im Kapitol is more than just a place of worship. It’s a witness to the layers of history that have shaped the city over centuries. At its core lies a rich narrative that traces back to ancient Roman times, where a temple once dedicated to the Capitoline Triad stood. The history of this temple exemplifies how ancient buildings were not simply erased but repurposed and altered over time. It illustrates that the ancient world did not vanish overnight. Instead, it was transformed and integrated into the medieval and modern eras, challenging the image of sharp epochal changes and highlighting a continuous development of cultural and architectural heritage.
Cologne's pottery heritage
Besides its glass production, Cologne also had a relevant ceramic production. During the reign of Augustus, from 27 BC to 14 AD, Cologne began to emerge as a notable center for pottery production. This period marked the initial steps of the city in establishing its reputation in the craft of ceramics
Roman legacy of glass art in Cologne
Cologne not only has a rich Roman heritage, but also a (perhaps) lesser-known history of glassmaking. Archaeological finds in the city have revealed a rich heritage of glass art, encompassing everything from drinking vessels to jewelry and decorative objects. And the Roman-Germanic Museum houses a significant collection of these artifacts. Here are some of my favorite pieces that I have photographed during my visit.
Roman legacy in Cologne
I recently visited the Roman-Germanic Museum in Cologne, that exhibits archeological finds from the Roman and Germanic era in Cologne and the surrounding area. While strolling through the exhibition, I was fascinated by the acute presence of the artifacts on display and the stories behind them. Of course, I’m aware of Cologne’s Roman heritage, but every visit to the museum makes me even more aware of the Roman influence on Cologne’s culture and identity.
Chinese scholar's rocks
The Museum of East Asian Art in Cologne is currently hosting an enlightening exhibition on Chinese scholar’s rocks, also known as gōngshí. The exhibition features a wide range of rocks from renowned regions such as Yingde in Guangdong, Liuyang in Hunan, and Lake Tai in Jiangsu. The rocks are displayed alongside other objects such as writing brushes, ink stones, and porcelain vessels. It provides a fascinating insight into the history and culture of Chinese scholar’s rocks and their significance in Chinese art and literature.
From Qingdao to Cologne: 50 Masterpieces of East Asian art
The Oriental Endowment for the Promotion of East Asian Art in Cologne celebrates its 50th anniversary with a remarkable exhibition of 50 masterpieces of East Asian art. The exhibition is running at the Museum of East Asian Art and has now been extended until the end of September 2024. It’s a great opportunity to see some of the most beautiful pieces of East Asian art, covering a wide range of art forms, including ceramics, bronzes, paintings, and sculptures from China, Japan, and Korea. The pieces are drawn from the museum’s collection, which was founded by Hans-Wilhelm Siegel, a businessman, patron and collector of East Asian art.
From Gothic to Zen: Comparing medieval Western and Eastern wooden sculptures
The art of wood sculpture, prevalent in both medieval Europe and East Asia, offers a fascinating study in contrasts and similarities. While both regions developed rich traditions in wood carving, their cultural, religious, and artistic trajectories shaped distinct styles and themes. Here is a brief comparison of selected medieval European and East Asian wooden sculptures.
Silent narrators: Medieval wood sculptures
During my recent visits to churches and medieval museums, I was impressed by the remarkable craftsmanship and artistic expression of wooden sculptures. These sculptures, primarily driven by religious themes, offer a unique window into the medieval mind, its craftsmanship, and its spiritual quests. Here are some shots of my favorite wood sculptures that I captured during my last visits to the Museum Schnütgen and other places in Cologne.
The Bright Age: The vibrant colors of medieval Christian art
The term ‘Dark Ages’, often used to describe the medieval period, conjures images of a grim, colorless world, shrouded in piety and the ultimate fear of God. However, this portrayal is a far cry from the reality of medieval life, especially when it comes to art. During a recent visit to the Wallraf-Richartz Museum in Cologne, I was struck by the vibrant colors, the richness of detail and imagination, and the criticism of secular and clerical authority often inherent in medieval Christian imagery. Here are some of my favorite artworks, hopefully shedding some light on a common misconception.
Faith and commerce: The medieval relic trade in Cologne
During my last visit to the Schnütgen Museum, I noticed a series of elaborate reliquary busts. These intricately crafted artifacts were shaped like the upper bodies of figures meant to represent saints, kings, and queens. Each bust had an opening to enclose and hold the corresponding relic. Their skillful artistry was immediately striking. Intrigued by this encounter, I began to do some research, uncovering a fascinating yet ironic chapter in the history of Cologne.
Beyond the sacred: Exploring medieval art at the Schnütgen Museum
For me, a visit to the Schnütgen Museum is always both refreshing and enlightening. Situated in the heart of Cologne, the museum offers a unique blend of local and European religious art and cultural heritage, presented in a secular, yet respectful light. It enables visitors to appreciate the artworks as individual pieces of art, detached from their original religious context.
1700 years of Jewish history in Cologne
A perhaps not well perceived part of Cologne’s history is its rich Jewish heritage that dates back to the Roman era. The Cologne Jewish community is considered as one of the oldest North of the Alps and has a long and complex history, marked by periods of prosperity and persecution. The community has contributed significantly to the city’s cultural and economic development. Here is a short overview of that history.
Kölsch – Rethinking a local myth
In Cologne, one tradition distinctly captures the essence of the city more than any other: Kölsch. This clear, top-fermented beer is celebrated not just as a local specialty but as a vital part of the city’s heritage and a symbol of communal spirit. Its role in social gatherings and public life marks it as a cornerstone of Cologne’s cultural fabric. Yet, amidst its widespread acclaim, it’s crucial to remember that Kölsch is an alcoholic beverage. This fact prompts a necessary reevaluation of its place within Cologne’s culture and invites us to ponder the real foundations of a social community. It’s time to consider the implications of glorifying an alcoholic tradition and to explore what truly makes a community thrive.
The Richmodis legend – A Cologne tale
High above the Neumarkt in Cologne, two horse heads protrude from the side of a tower, sparking curiosity and wonder among both locals and visitors. These sculptures are not mere decorations but symbols of one of Cologne’s most intriguing legends—the tale of Richmodis. Here is a summary of some facts that I could gather about this local legend.
Jan von Werth: A Cologne love story
The rich folklore of Cologne holds another captivating tale: The legend of Jan von Werth and Griet. A story that combines romance, valor, and enduring spirit. The legend tells the tale of a simple soldier who rose to prominence through his bravery, only to find his heart captured by the love of a woman who initially spurned him. With it’s tragic-pointed end, the story could be considered as Cologne’s own Romeo and Juliet, even though being less famous than the Shakespearean tragedy.
Tünnes and Schäl: Two Cologne icons
In Cologne, few characters are as beloved and emblematic as Tünnes and Schäl. These two figures represent the quintessential ‘Kölsch’ spirit (Cologne’s local dialect and culture), combining humor, wit, and a touch of wisdom.
The Heinzelmännchen: Secret shadow workers of Cologne
Here is another snippet from the long list of Cologne legends: The Heinzelmännchen. The Heinzelmännchen are a legendary group of house gnomes or elves who, according to the legend, performed domestic chores and crafts in the city of Cologne during the night, leaving the inhabitants to wake up to a clean and orderly city.
Nubbelverbrennung – Another Cologne Carnival tradition
After exploring the Roman origins of the Cologne Carnival and the “Geisterzug”, I realized I had nearly overlooked another pivotal local tradition: The “Nubbelverbrennung”. The “Nubbel” is a straw puppet that is hung up and burned down at the corner of a street or a pub on the Tuesday before Ash Wednesday. It serves as a symbolic purification of the sins and mischiefs that have happened during the carnival.
Origins of Cologne's coat of arms
Did you ever wonder about the coat of arms of Cologne and why it is the way it is? I just did some research and found out that its history is quite interesting and also includes some funny twists.
Halve Hahn: A special dish in Cologne
If you’re currently out enjoying the Cologne carnival, you might encounter a local specialty that can cause some confusion: The ‘Halve Hahn’. Don’t be misled – this dish isn’t poultry.
Geisterzug: The alternative Carnival in Cologne
After exploring the Roman origins of the Cologne Carnival, we will now take a look at the alternative carnival event in Cologne called ‘Geisterzug’ (lit. ‘Ghost Parade’). It is actually a more recent addition to the Cologne Carnival tradition, starting in 1991, and can be seen as a protest against the commercialization of the today’s Cologne Carnival.
Roman origins of the Cologne Carnival
As the clock strikes 11:11 AM tomorrow, the so-called ‘Fifth Season’ begins in Cologne. The city is overrun with revelers, and the streets are bustling with people. The citizens of Cologne celebrate with unrestrained joy and, notably, a fair amount of alcohol. But where does Carnival actually come from? What are its origins, and how has it evolved over time? This post takes you on a brief journey through the history of the Cologne Carnival to shed light on the cultural background of the festival, which tends to be forgotten in today’s thoroughly commercialized carnival.
A Zen-Buddhist interpretation of the 'Kölsches Grundgesetz'
Zen op Kölsch – I recently discovered a small booklet by Michael Wittschier, who interpreted the so-called ‘Kölsches Grundgesetz’ in a Taoist way. Taoism is a philosophical tradition of Chinese origin which emphasizes living in harmony with the Dào, a term that can be translated as ‘the way’, ‘the path’, or ‘the way of nature’. Wittschier’s interpretation is a very interesting read and I couldn’t resist to buy the booklet. However, I also thought that it would by an interesting experiment to interpret the ‘Kölsches Grundgesetz’ in a Zen-Buddhist way. So, here we go.
Stumbling upon history: The Stolpersteine project and its role in remembering Nazi victims
In European and particularly German cities, you may encounter brass plaques, known as ‘Stolpersteine’ or ‘stumbling stones’, embedded in pavements in front of buildings. Inscribed with names and dates, these plaques memorialize victims of the Nazi regime at their last known addresses, serving as a poignant reminder of the individual lives lost during this dark period in Germany and our collective history and responsibility.
NS DOK El-De Haus: Retracing the steps of Nazi history in Cologne
I recently visited the El-De Haus in Cologne, a former center of the Gestapo and now the NS Documentation Centre of Cologne, which left a profound impression on me. The house is not like other museums; it is a storyteller of a dark chapter in Cologne’s history and a stark reminder of the horrors that totalitarian regimes can inflict. What I liked most is that the documentation center focuses on the story of victims and the resistance to the Nazi regime, giving them much more space than the perpetrators. Here is a summary of the exhibition, coupled with my personal reflections.
Christian ivory carvings and their comparison with Japanese netsuke: A cross-cultural analysis
Recently, I had the opportunity to visit a netsuke exhibition. The exhibition was amazing! While strolling through the exhibition, I also noticed a similarity with European Christian ivory carvings. Japanese netsuke and Christian ivory carvings both have their roots in the meticulous art of ivory carving. However, they differ considerably in purpose, symbolism and stylistic expression. Unfortunately, there was no exhibition about the latter that I could have visited at the same time or before. So I searched through my photo archives and put together some examples of European ivory carvings here.
Helena Parada Kim's 'Interstices' - A fusion of cultures and traditions
Helena Parada Kim’s ‘Interstices’ at the Museum of East Asian Art in Cologne masterfully blends Korean traditions with European artistry, creating a dialogue between past and present. Her unique approach to cultural fusion is exemplified in works that juxtapose traditional Korean motifs with contemporary European painting techniques, offering a fresh perspective on cultural identity and arts in general.
Netsuke – The elegance of Japanese craftsmanship
The Museum of East Asian Art in Cologne is currently hosting the exhibition ‘Kyōto’s Netsuke - Masters & Myths’ to celebrate the 60-year partnership between Cologne and Kyōto. The exhibition showcases an extraordinary selection of netsuke from the Kyōto school, each piece embodying the exceptional Japanese craftsmanship and celebrating the long-standing friendship between the two cities.
East and West: Finding common grounds in distinct artistic traditions
I recently visited the Museum of East Asian Art and the Museum Schnütgen for European Medieval Art, both in Cologne. Having explored these museums in quick succession, I was struck by both the contrasts and surprising parallels in the artistic expressions of East and West.
#Gandharan Art
On the Hellenistic heritage in Christian culture and Buddhist art
My recent museum visits and studies have revealed that the perceived differences between various cultures and historical periods are not as pronounced as I once believed. Contrary to the simplified narratives taught in school, the Greco-Roman heritage did not vanish after the fall of the Roman Empire but transformed and adapted into new cultural contexts. This influence extended beyond the Christian culture of the Middle Ages to include the Buddhist art of the Gandhara style. In this post, I will summarize my findings and share my thoughts on this topic.
The Kizil Caves
The Kizil Caves are a set of Buddhist rock-cut caves situated near Kizil, Xinjiang, China. Historically significant and renowned for their intricate murals, these caves offer a fascinating glimpse into the rich murals and sculptures of Buddhism in China and Central Asia. Artifacts recovered from the caves are displayed alongside fragments of the murals at the Humboldt Forum in Berlin.
Gandhara-style Buddhist sculptures
This post ties directly into my previous on The first plastic depictions of Buddha’s life: Gandhara reliefs at the Humboldt Forum, Berlin. In this post, I showcase further, quite impressive Gandhara-style Buddhist sculptures also seen at the Humboldt Museum in Berlin.
The first plastic depictions of Buddha's life: Gandhara reliefs at the Humboldt Forum, Berlin
On my visit to the Museum of Asian Art at the Humboldt Forum in Berlin, I was captivated by 15 stone reliefs depicting the Buddha’s life. Crafted in Gandhara between the 1st and 3rd century, these reliefs are among the earliest narrative representations of the Buddha. Gandhara was more than just a region; it was a melting pot of civilizations, playing an indispensable part in shaping the visual language of Buddhism.
#Greco-Roman Culture
On the Hellenistic heritage in Christian culture and Buddhist art
My recent museum visits and studies have revealed that the perceived differences between various cultures and historical periods are not as pronounced as I once believed. Contrary to the simplified narratives taught in school, the Greco-Roman heritage did not vanish after the fall of the Roman Empire but transformed and adapted into new cultural contexts. This influence extended beyond the Christian culture of the Middle Ages to include the Buddhist art of the Gandhara style. In this post, I will summarize my findings and share my thoughts on this topic.
Lares and the evolution of household deities in Europe
During my visit to the Roman-Germanic Museum in Cologne, I stumbled upon intriguing small deity figures, which piqued my curiosity. Upon further research, I discovered they were representations of Roman Lares, ancient household deities. This discovery led me to draw some parallels with later religious practices, including those found in Eastern traditions.
Cologne's history through a magnifying glass: The city museum
After a long time of closure, the Cologne City Museum reopened its doors in March 2024. The museum, which is now temporarily housed in the former Franz Sauer fashion house, has a large collection of around 350,000 objects spanning from the Middle Ages to the present day. The exhibits cover a wide range of topics, including paintings, graphics, militaria, coins, textiles, furniture, and everyday objects. The museum’s current concept focuses on showcasing a small selection of objects that are presented in an emotional context, offering a unique perspective on societal and historical issues. In my opinion, in this way the museum actually serves as a lens through which visitors can explore the history of 2000-year-old Cologne.
From Roman temple to Christian sanctuary: The historical evolution of St. Maria im Kapitol in Cologne
Standing proudly amidst the historic cityscape of Cologne, St. Maria im Kapitol is more than just a place of worship. It’s a witness to the layers of history that have shaped the city over centuries. At its core lies a rich narrative that traces back to ancient Roman times, where a temple once dedicated to the Capitoline Triad stood. The history of this temple exemplifies how ancient buildings were not simply erased but repurposed and altered over time. It illustrates that the ancient world did not vanish overnight. Instead, it was transformed and integrated into the medieval and modern eras, challenging the image of sharp epochal changes and highlighting a continuous development of cultural and architectural heritage.
Cologne's pottery heritage
Besides its glass production, Cologne also had a relevant ceramic production. During the reign of Augustus, from 27 BC to 14 AD, Cologne began to emerge as a notable center for pottery production. This period marked the initial steps of the city in establishing its reputation in the craft of ceramics
Roman legacy of glass art in Cologne
Cologne not only has a rich Roman heritage, but also a (perhaps) lesser-known history of glassmaking. Archaeological finds in the city have revealed a rich heritage of glass art, encompassing everything from drinking vessels to jewelry and decorative objects. And the Roman-Germanic Museum houses a significant collection of these artifacts. Here are some of my favorite pieces that I have photographed during my visit.
Roman legacy in Cologne
I recently visited the Roman-Germanic Museum in Cologne, that exhibits archeological finds from the Roman and Germanic era in Cologne and the surrounding area. While strolling through the exhibition, I was fascinated by the acute presence of the artifacts on display and the stories behind them. Of course, I’m aware of Cologne’s Roman heritage, but every visit to the museum makes me even more aware of the Roman influence on Cologne’s culture and identity.
The Ruhr Museum: A Journey through the cultural heritage of the Ruhrgebiet
During a recent visit to the Ruhr Museum in Essen, I discovered not just an outstanding modern museum, but also a gateway to the rich history of the Ruhr area, also known as the ‘Ruhrpott’. This museum visit opened my eyes to the depth and complexity of the Ruhr region’s past and present.
The Bode Museum: A new lens on medieval art
At the heart of Berlin’s Museum Island, the Bode Museum offers a unique opportunity to engage with Christian art. The museum’s collection of medieval art, in particular, provides an intriguing opportunity to explore these artifacts outside of their traditional religious context.
#Indian Art
Exploring Buddhist and East Asian art in Cologne
Cologne, a city rich in Christian history and culture, also offers a unique opportunity for enthusiasts of Buddhist and East Asian art. The city is home to two remarkable institutions: the Museum of East Asian Art and the Rautenstrauch-Joest Museum. Here some of my favorite pieces from both museums.
Gandhara-style Buddhist sculptures
This post ties directly into my previous on The first plastic depictions of Buddha’s life: Gandhara reliefs at the Humboldt Forum, Berlin. In this post, I showcase further, quite impressive Gandhara-style Buddhist sculptures also seen at the Humboldt Museum in Berlin.
The first plastic depictions of Buddha's life: Gandhara reliefs at the Humboldt Forum, Berlin
On my visit to the Museum of Asian Art at the Humboldt Forum in Berlin, I was captivated by 15 stone reliefs depicting the Buddha’s life. Crafted in Gandhara between the 1st and 3rd century, these reliefs are among the earliest narrative representations of the Buddha. Gandhara was more than just a region; it was a melting pot of civilizations, playing an indispensable part in shaping the visual language of Buddhism.
#Industrial History
Cologne's history through a magnifying glass: The city museum
After a long time of closure, the Cologne City Museum reopened its doors in March 2024. The museum, which is now temporarily housed in the former Franz Sauer fashion house, has a large collection of around 350,000 objects spanning from the Middle Ages to the present day. The exhibits cover a wide range of topics, including paintings, graphics, militaria, coins, textiles, furniture, and everyday objects. The museum’s current concept focuses on showcasing a small selection of objects that are presented in an emotional context, offering a unique perspective on societal and historical issues. In my opinion, in this way the museum actually serves as a lens through which visitors can explore the history of 2000-year-old Cologne.
Kölsch – Rethinking a local myth
In Cologne, one tradition distinctly captures the essence of the city more than any other: Kölsch. This clear, top-fermented beer is celebrated not just as a local specialty but as a vital part of the city’s heritage and a symbol of communal spirit. Its role in social gatherings and public life marks it as a cornerstone of Cologne’s cultural fabric. Yet, amidst its widespread acclaim, it’s crucial to remember that Kölsch is an alcoholic beverage. This fact prompts a necessary reevaluation of its place within Cologne’s culture and invites us to ponder the real foundations of a social community. It’s time to consider the implications of glorifying an alcoholic tradition and to explore what truly makes a community thrive.
The Ruhr Museum: A Journey through the cultural heritage of the Ruhrgebiet
During a recent visit to the Ruhr Museum in Essen, I discovered not just an outstanding modern museum, but also a gateway to the rich history of the Ruhr area, also known as the ‘Ruhrpott’. This museum visit opened my eyes to the depth and complexity of the Ruhr region’s past and present.
#Japanese Art
Emakimono: The art of Japanese handscrolls
Emakimono, or Japanese handscrolls, are a captivating form of narrative art that emerged during the Heian period (794-1185 AD). These exquisite scrolls combine text and pictures to tell stories, document courtly life, or illustrate poetic themes. The format allows for sequential viewing, where the story unfolds as the scroll is gradually unrolled from right to left, offering a unique and intimate artistic experience. In this post, we explore the history, techniques, and cultural significance of emakimono in Japanese art and literature.
Kakemono: The art of Japanese hanging scrolls
Kakemono, or Japanese hanging scrolls, are a prominent feature in the traditional Japanese art landscape. These scrolls are designed to be displayed vertically and are often used to adorn the alcoves of Japanese homes, particularly in settings like the tea ceremony. The art of kakemono centers around the aesthetics of simplicity and seasonal change, making it a dynamic element of Japanese decor. In this post, we briefly explore the history and significance of kakemono in Japanese art and culture.
Exploring Buddhist and East Asian art in Cologne
Cologne, a city rich in Christian history and culture, also offers a unique opportunity for enthusiasts of Buddhist and East Asian art. The city is home to two remarkable institutions: the Museum of East Asian Art and the Rautenstrauch-Joest Museum. Here some of my favorite pieces from both museums.
On the Hellenistic heritage in Christian culture and Buddhist art
My recent museum visits and studies have revealed that the perceived differences between various cultures and historical periods are not as pronounced as I once believed. Contrary to the simplified narratives taught in school, the Greco-Roman heritage did not vanish after the fall of the Roman Empire but transformed and adapted into new cultural contexts. This influence extended beyond the Christian culture of the Middle Ages to include the Buddhist art of the Gandhara style. In this post, I will summarize my findings and share my thoughts on this topic.
Chinese scholar's rocks
The Museum of East Asian Art in Cologne is currently hosting an enlightening exhibition on Chinese scholar’s rocks, also known as gōngshí. The exhibition features a wide range of rocks from renowned regions such as Yingde in Guangdong, Liuyang in Hunan, and Lake Tai in Jiangsu. The rocks are displayed alongside other objects such as writing brushes, ink stones, and porcelain vessels. It provides a fascinating insight into the history and culture of Chinese scholar’s rocks and their significance in Chinese art and literature.
From Qingdao to Cologne: 50 Masterpieces of East Asian art
The Oriental Endowment for the Promotion of East Asian Art in Cologne celebrates its 50th anniversary with a remarkable exhibition of 50 masterpieces of East Asian art. The exhibition is running at the Museum of East Asian Art and has now been extended until the end of September 2024. It’s a great opportunity to see some of the most beautiful pieces of East Asian art, covering a wide range of art forms, including ceramics, bronzes, paintings, and sculptures from China, Japan, and Korea. The pieces are drawn from the museum’s collection, which was founded by Hans-Wilhelm Siegel, a businessman, patron and collector of East Asian art.
From Gothic to Zen: Comparing medieval Western and Eastern wooden sculptures
The art of wood sculpture, prevalent in both medieval Europe and East Asia, offers a fascinating study in contrasts and similarities. While both regions developed rich traditions in wood carving, their cultural, religious, and artistic trajectories shaped distinct styles and themes. Here is a brief comparison of selected medieval European and East Asian wooden sculptures.
Netsuke – The elegance of Japanese craftsmanship
The Museum of East Asian Art in Cologne is currently hosting the exhibition ‘Kyōto’s Netsuke - Masters & Myths’ to celebrate the 60-year partnership between Cologne and Kyōto. The exhibition showcases an extraordinary selection of netsuke from the Kyōto school, each piece embodying the exceptional Japanese craftsmanship and celebrating the long-standing friendship between the two cities.
Korean ceramics: Spirituality through simplicity and purity
Korean ceramics embody a serene beauty born from simplicity, clarity, and an embrace of natural imperfections. The Humboldt Museum showcases this centuries-old tradition, offering a reflective journey into Korea’s unique interpretation of art, nature, and spirituality.
The many faces of the Buddha
The Humboldt Forum in Berlin holds an extensive collection of Buddha and Bodhisattva sculptures from all over Southeast Asia: China, Japan, Thailand, Cambodia, Tibet, Nepal. In this post, I’d like to show the many faces of Buddhist sculptures that I have discovered in the Forum.
East and West: Finding common grounds in distinct artistic traditions
I recently visited the Museum of East Asian Art and the Museum Schnütgen for European Medieval Art, both in Cologne. Having explored these museums in quick succession, I was struck by both the contrasts and surprising parallels in the artistic expressions of East and West.
Embracing imperfections: Kintsugi and the story of my teapot
Kintsugi, the traditional Japanese art of ‘golden joinery’, celebrates the beauty of brokenness. My experience with a cherished teapot taught me not just about repair, but about embracing imperfections and celebrating the breakage and repair as an integral part of an object’s history.
#Judaism
Cologne's history through a magnifying glass: The city museum
After a long time of closure, the Cologne City Museum reopened its doors in March 2024. The museum, which is now temporarily housed in the former Franz Sauer fashion house, has a large collection of around 350,000 objects spanning from the Middle Ages to the present day. The exhibits cover a wide range of topics, including paintings, graphics, militaria, coins, textiles, furniture, and everyday objects. The museum’s current concept focuses on showcasing a small selection of objects that are presented in an emotional context, offering a unique perspective on societal and historical issues. In my opinion, in this way the museum actually serves as a lens through which visitors can explore the history of 2000-year-old Cologne.
1700 years of Jewish history in Cologne
A perhaps not well perceived part of Cologne’s history is its rich Jewish heritage that dates back to the Roman era. The Cologne Jewish community is considered as one of the oldest North of the Alps and has a long and complex history, marked by periods of prosperity and persecution. The community has contributed significantly to the city’s cultural and economic development. Here is a short overview of that history.
NS DOK El-De Haus: Retracing the steps of Nazi history in Cologne
I recently visited the El-De Haus in Cologne, a former center of the Gestapo and now the NS Documentation Centre of Cologne, which left a profound impression on me. The house is not like other museums; it is a storyteller of a dark chapter in Cologne’s history and a stark reminder of the horrors that totalitarian regimes can inflict. What I liked most is that the documentation center focuses on the story of victims and the resistance to the Nazi regime, giving them much more space than the perpetrators. Here is a summary of the exhibition, coupled with my personal reflections.
#Korean Art
Emakimono: The art of Japanese handscrolls
Emakimono, or Japanese handscrolls, are a captivating form of narrative art that emerged during the Heian period (794-1185 AD). These exquisite scrolls combine text and pictures to tell stories, document courtly life, or illustrate poetic themes. The format allows for sequential viewing, where the story unfolds as the scroll is gradually unrolled from right to left, offering a unique and intimate artistic experience. In this post, we explore the history, techniques, and cultural significance of emakimono in Japanese art and literature.
Kakemono: The art of Japanese hanging scrolls
Kakemono, or Japanese hanging scrolls, are a prominent feature in the traditional Japanese art landscape. These scrolls are designed to be displayed vertically and are often used to adorn the alcoves of Japanese homes, particularly in settings like the tea ceremony. The art of kakemono centers around the aesthetics of simplicity and seasonal change, making it a dynamic element of Japanese decor. In this post, we briefly explore the history and significance of kakemono in Japanese art and culture.
Exploring Buddhist and East Asian art in Cologne
Cologne, a city rich in Christian history and culture, also offers a unique opportunity for enthusiasts of Buddhist and East Asian art. The city is home to two remarkable institutions: the Museum of East Asian Art and the Rautenstrauch-Joest Museum. Here some of my favorite pieces from both museums.
On the Hellenistic heritage in Christian culture and Buddhist art
My recent museum visits and studies have revealed that the perceived differences between various cultures and historical periods are not as pronounced as I once believed. Contrary to the simplified narratives taught in school, the Greco-Roman heritage did not vanish after the fall of the Roman Empire but transformed and adapted into new cultural contexts. This influence extended beyond the Christian culture of the Middle Ages to include the Buddhist art of the Gandhara style. In this post, I will summarize my findings and share my thoughts on this topic.
Chinese scholar's rocks
The Museum of East Asian Art in Cologne is currently hosting an enlightening exhibition on Chinese scholar’s rocks, also known as gōngshí. The exhibition features a wide range of rocks from renowned regions such as Yingde in Guangdong, Liuyang in Hunan, and Lake Tai in Jiangsu. The rocks are displayed alongside other objects such as writing brushes, ink stones, and porcelain vessels. It provides a fascinating insight into the history and culture of Chinese scholar’s rocks and their significance in Chinese art and literature.
From Qingdao to Cologne: 50 Masterpieces of East Asian art
The Oriental Endowment for the Promotion of East Asian Art in Cologne celebrates its 50th anniversary with a remarkable exhibition of 50 masterpieces of East Asian art. The exhibition is running at the Museum of East Asian Art and has now been extended until the end of September 2024. It’s a great opportunity to see some of the most beautiful pieces of East Asian art, covering a wide range of art forms, including ceramics, bronzes, paintings, and sculptures from China, Japan, and Korea. The pieces are drawn from the museum’s collection, which was founded by Hans-Wilhelm Siegel, a businessman, patron and collector of East Asian art.
From Gothic to Zen: Comparing medieval Western and Eastern wooden sculptures
The art of wood sculpture, prevalent in both medieval Europe and East Asia, offers a fascinating study in contrasts and similarities. While both regions developed rich traditions in wood carving, their cultural, religious, and artistic trajectories shaped distinct styles and themes. Here is a brief comparison of selected medieval European and East Asian wooden sculptures.
Helena Parada Kim's 'Interstices' - A fusion of cultures and traditions
Helena Parada Kim’s ‘Interstices’ at the Museum of East Asian Art in Cologne masterfully blends Korean traditions with European artistry, creating a dialogue between past and present. Her unique approach to cultural fusion is exemplified in works that juxtapose traditional Korean motifs with contemporary European painting techniques, offering a fresh perspective on cultural identity and arts in general.
Korean ceramics: Spirituality through simplicity and purity
Korean ceramics embody a serene beauty born from simplicity, clarity, and an embrace of natural imperfections. The Humboldt Museum showcases this centuries-old tradition, offering a reflective journey into Korea’s unique interpretation of art, nature, and spirituality.
#LGBTQ
Cologne's history through a magnifying glass: The city museum
After a long time of closure, the Cologne City Museum reopened its doors in March 2024. The museum, which is now temporarily housed in the former Franz Sauer fashion house, has a large collection of around 350,000 objects spanning from the Middle Ages to the present day. The exhibits cover a wide range of topics, including paintings, graphics, militaria, coins, textiles, furniture, and everyday objects. The museum’s current concept focuses on showcasing a small selection of objects that are presented in an emotional context, offering a unique perspective on societal and historical issues. In my opinion, in this way the museum actually serves as a lens through which visitors can explore the history of 2000-year-old Cologne.
#Myanmar Art
Exploring Buddhist and East Asian art in Cologne
Cologne, a city rich in Christian history and culture, also offers a unique opportunity for enthusiasts of Buddhist and East Asian art. The city is home to two remarkable institutions: the Museum of East Asian Art and the Rautenstrauch-Joest Museum. Here some of my favorite pieces from both museums.
Buddhist clay tablets from Myanmar
Another quite interesting finding I made at the Humboldt Forum were some Buddhist clay tablets from Myanmar. I was impressed by the similarities with Christian panels depicting scenes from the life of Jesus, biblical events, or saints – another example of the universality of artistic expressions across diverse cultural traditions.
#Pottery and Ceramics
Cologne's history through a magnifying glass: The city museum
After a long time of closure, the Cologne City Museum reopened its doors in March 2024. The museum, which is now temporarily housed in the former Franz Sauer fashion house, has a large collection of around 350,000 objects spanning from the Middle Ages to the present day. The exhibits cover a wide range of topics, including paintings, graphics, militaria, coins, textiles, furniture, and everyday objects. The museum’s current concept focuses on showcasing a small selection of objects that are presented in an emotional context, offering a unique perspective on societal and historical issues. In my opinion, in this way the museum actually serves as a lens through which visitors can explore the history of 2000-year-old Cologne.
Cologne's pottery heritage
Besides its glass production, Cologne also had a relevant ceramic production. During the reign of Augustus, from 27 BC to 14 AD, Cologne began to emerge as a notable center for pottery production. This period marked the initial steps of the city in establishing its reputation in the craft of ceramics
Roman legacy of glass art in Cologne
Cologne not only has a rich Roman heritage, but also a (perhaps) lesser-known history of glassmaking. Archaeological finds in the city have revealed a rich heritage of glass art, encompassing everything from drinking vessels to jewelry and decorative objects. And the Roman-Germanic Museum houses a significant collection of these artifacts. Here are some of my favorite pieces that I have photographed during my visit.
Roman legacy in Cologne
I recently visited the Roman-Germanic Museum in Cologne, that exhibits archeological finds from the Roman and Germanic era in Cologne and the surrounding area. While strolling through the exhibition, I was fascinated by the acute presence of the artifacts on display and the stories behind them. Of course, I’m aware of Cologne’s Roman heritage, but every visit to the museum makes me even more aware of the Roman influence on Cologne’s culture and identity.
From Qingdao to Cologne: 50 Masterpieces of East Asian art
The Oriental Endowment for the Promotion of East Asian Art in Cologne celebrates its 50th anniversary with a remarkable exhibition of 50 masterpieces of East Asian art. The exhibition is running at the Museum of East Asian Art and has now been extended until the end of September 2024. It’s a great opportunity to see some of the most beautiful pieces of East Asian art, covering a wide range of art forms, including ceramics, bronzes, paintings, and sculptures from China, Japan, and Korea. The pieces are drawn from the museum’s collection, which was founded by Hans-Wilhelm Siegel, a businessman, patron and collector of East Asian art.
Korean ceramics: Spirituality through simplicity and purity
Korean ceramics embody a serene beauty born from simplicity, clarity, and an embrace of natural imperfections. The Humboldt Museum showcases this centuries-old tradition, offering a reflective journey into Korea’s unique interpretation of art, nature, and spirituality.
Embracing imperfections: Kintsugi and the story of my teapot
Kintsugi, the traditional Japanese art of ‘golden joinery’, celebrates the beauty of brokenness. My experience with a cherished teapot taught me not just about repair, but about embracing imperfections and celebrating the breakage and repair as an integral part of an object’s history.
#Tea
From Qingdao to Cologne: 50 Masterpieces of East Asian art
The Oriental Endowment for the Promotion of East Asian Art in Cologne celebrates its 50th anniversary with a remarkable exhibition of 50 masterpieces of East Asian art. The exhibition is running at the Museum of East Asian Art and has now been extended until the end of September 2024. It’s a great opportunity to see some of the most beautiful pieces of East Asian art, covering a wide range of art forms, including ceramics, bronzes, paintings, and sculptures from China, Japan, and Korea. The pieces are drawn from the museum’s collection, which was founded by Hans-Wilhelm Siegel, a businessman, patron and collector of East Asian art.
Korean ceramics: Spirituality through simplicity and purity
Korean ceramics embody a serene beauty born from simplicity, clarity, and an embrace of natural imperfections. The Humboldt Museum showcases this centuries-old tradition, offering a reflective journey into Korea’s unique interpretation of art, nature, and spirituality.
Embracing imperfections: Kintsugi and the story of my teapot
Kintsugi, the traditional Japanese art of ‘golden joinery’, celebrates the beauty of brokenness. My experience with a cherished teapot taught me not just about repair, but about embracing imperfections and celebrating the breakage and repair as an integral part of an object’s history.
#Thai Art
Exploring Buddhist and East Asian art in Cologne
Cologne, a city rich in Christian history and culture, also offers a unique opportunity for enthusiasts of Buddhist and East Asian art. The city is home to two remarkable institutions: the Museum of East Asian Art and the Rautenstrauch-Joest Museum. Here some of my favorite pieces from both museums.
The Three Worlds
The royal illuminated manuscript ‘Traiphum’ from Bangkok, 1776, depicts the tripartite Buddhist cosmos and is a testament to King Takin’s reign after the fall of Ayutthaya. Luckily, I had the chance to see it at the Humboldt Forum in Berlin.
The many faces of the Buddha
The Humboldt Forum in Berlin holds an extensive collection of Buddha and Bodhisattva sculptures from all over Southeast Asia: China, Japan, Thailand, Cambodia, Tibet, Nepal. In this post, I’d like to show the many faces of Buddhist sculptures that I have discovered in the Forum.